The development of this collection took about two years, during which we faced two main difficulties: reproducing an Italian region or city.

But how to do it on a plate? We decided to use two elements: color and an engraving to represent the landscape and the synthesis between architecture and history respectively.

Once the project was agreed, we moved on to the production phase. Perhaps it would have been difficult to conceive a more complex slab: an old-fashioned effect on the edge, no graphics but only engravings, not homogeneous but shaded color, luminous effect given by a light hammering, and then the specific colors. A continuous flow of prototypes that come and go, as well as factory production, but we have it! We know and love Italian places and regions, but we also feel proud when we see them represented on a plate like a sculpture or a painting.

We think that the diffusion of specific qualities through an element of common use can also be a way to spread our regions or, in any case, arouse curiosity or the desire to deepen knowledge on most people. Many people who can still live an experience and feel in a certain way of being in Italy, in a specific place and region.